| Benny’s Shop
Carpet |
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| With this page
we tried to assist you in recognizing handmade Turkish
carpets.Our joy and pride will be endless if we have been
able to fulfill this task.However you'll be more satisfied
after you have seen our beautiful carpet collection at
Benny's Shop.We invite you to our shop to see our culture
full carpet collection for your eyes pleasure. |
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| Introduction |
| Books have been
dedicated to this subject alone, so it is impossible to
do justice to the culture behind the art of carpet making,
we can only scratch the surface of this subject. |
| Symbolism plays
a big part in Turkish Carpets, and wherever possible,
we have attemped to interpret the symbols and provide
a brief description and meaning for each product. |
| Due to individual
weavers interpretations and and the abstract nature of
some symbols it is not alway possible to do this. |
| Additionally
some designs are made up of purely geometric patterns. |
| There are two
basic products available, the familiar carpet or rug which
has wool knotted into the base to form the pile, and the
kilim, where the pattern is an intrinsic part of the base
weave, and no knotted wools is used, which results in
a "flat" weave. Kilims are more popular in warmer
climates, but are becoming increasing more popular as
timber based floors gain popularity. Additionally, it
is not uncommom for a kilim to be used as a wall decoration. |
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| Considerations
in carpet design |
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| The first stage
in carpet weaving is to decide on a design or a motif.
In regional carpet production, experienced weavers create
the design as they weave, whereas in the production of
tightly knotted carpets a pattern to refer to is necessary.
As a result of long years of research and labour, almost
all of the designs of old Turkish carpets are available,
but with a modern approach and new concepts. Also new
motifs have been developed, derived from the old patterns,
so still maintaining the traditions. There's a great variety
of motifs of geometric designs. Stylised animal, human
and plant motifs are found scattered among the geometric
designs, and the colours used bring out these motifs. |
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| Some of the
carpets with floral designs exhibit such harmony and colours
that they resemble flower gardens. The carnival of flowers,
branches and plants that covers the surface of the carpets
is always framed by a complementing design. |
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The most important
element in design is proportion. The design should be
weaved in such a manner that there should be no irregularities
in the corners. The carpets with a "mihrab"
design (seccade) may have different designs in or around
the "mihrab", and decorations of Arabic letters
may be seen in the borders. The design is first created
in sections on paper and placed on the loom to guide the
weaver. As the carpet increases in size, so the number
of these sections increase too. The second most important
element is the material used, which varies according to
the type of carpet. It may be wool, pure silk, cotton,
or silk like cotton called floss. Bursa is one of the
few centres of silk production in the world, and for centuries,
the pure silk produced here has been used in the making
of handmade Turkish carpets. The real beauty of silk comes
out best of all in these magnificent looking rugs and
wall carpets, these are deemed the highest quality carpet
available. Lamb's wool though, is the most popular material
used. The grasslands of the Anatolian plateaux are the
reason behind the durability and sheen of the wool. The
wool used in carpet production must be special: strong
and soft. In certain regions, the wool, as in the old
days, is spun by hand to make the yarn used in carpet
weaving. Today, textiles are a major industry in Turkey,
and the country is a leading cotton producer. |
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| Carpet
production |
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| In carpet weaving,
the base (warp and weft) is constructed of cotton; wool
is then knotted onto this to form the pile. Such handmade
carpets made of both cotton and wool, are as attractive
and durable as the others. Floss is used only in Kayseri
carpets, and it makes up the pile. As floss is easily
dyed, bright and attractive carpets in a variety of colours
are produced by using floss. |
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| Knotted carpets
are woven on a loom consisting of horizontal bars, onto
which the warp threads are stretched. Onto these threads,
the pile knots are tied according to the pattern. The
thread ends, which make up the pile, are clipped off to
get a velvet like soft surface. Thus, the motifs are made
up of thousands of individual knots. The tighter the knots,
the finer and stronger is the carpet. The pleasure one
gets from a beautiful carpet equals the pleasure one gets
from a beautiful painting. |
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| The double knot,
known as the Turkish or Gordes knot, is used in all typical
Turkish carpets. Another well known system is the Sehna
or Persian knot. The Turkish knot is wrapped around two
warps and the Persian knot around a single warp. A kilim,
which is similar to a carpet, is woven on the loom but
with a different technique; knots are not used. The Gordes
knot makes a carpet stronger, firmer and more durable,
while the Sehna knot allows the weaving of different patterns.
However, once a carpet is made it is difficult to determine
the knotting system used. |
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| Regional
influences |
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| The colours
also are characteristic of the region where the carpet
is made. The threads used in the weaving of antique carpets
used to be dyed with natural dyes, the formulas of which
were known only by the family that manufactured the carpet.
Today, chemical dyes are used along with vegetable dyes.
Natural dyes are produced from leaves, roots, and fruits.
Many of the villages engaged in carpet making have a grazing
land called "Boyalik". Plants from which dyes
are made are grown there. The various formulas for dye
production have been passed down from generation to generation.
Thus the colours traditional to Turkish carpet production
have survived till today. Red is dominant in Turkish carpets.
This striking colour expresses wealth, joy and happiness.
Green symbolises heaven; blue nobility and grandeur; yellow
is believed to keep evil away, and black symbolises purification
from worries. |
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| Handmade carpets
are generally called after the region or town where they
are produced. Contemporary carpets are made in various
sizes and with combinations of different materials. In
some regions, the threads used in weaving and the knots
may be only wool, and in other regions, the base may be
cotton and the knots wool. In still other regions pure
silk is used in the weaving of carpets. |
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| Kilims |
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| The Kilim is
a truly remarkable tradition maintained by women of Anatolia
for hundreds of generations, dating back nine thousand
years. Turkish mothers and daughters maintained this mysterious
tradition for the last thousand years as Turkish tribes
settled in Anatolia and intermingled with the local population. |
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The oldest record
of kilims comes from Catal Hoyuk Neolithic pottery circa
7000 BC, the oldest settlement ever to have been discovered.
It is located south east of Konya in the middle of the
Anatolian region. The excavations to date (only 3% of
the town) not only found carbonized fabric but also fragments
of kilims painted on the walls of the houses. The majority
of them represent geometric and stylized forms that are
similar or identical to other historical to contemporary
designs.
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